An interesting concept, having a group explain the importance of their names, and executed well by using the students' own words/poems/narratives. I particularly liked the stories that let their history come through.
Judge Dredd in 'Halfway House' is teasing me. WHat am I missing? who is this mystery man? Joe & he were locked up by Judge Cal? - he must be a judge, and from way back, but which one? It's a great mystery, and teased so well - I think it was deliberately for big fans like me. Dreadnoughts is always good - exposing the hardships and lessons learned from the roll-out of the judge system. Megatropolis is unbelievably good. What a spin, taking all of the characters from the Judge Dredd universe and transplanting them in a very different world, yet they keep their personae. It opens the world to different story-telling. Armitage is okay, suffering from the same malaise as usual - it's quintessentially British which sits in stark contrast in the world of Dredd. I'm glad the Judge Anderson story has ended. Bringing back an adversary from decades ago was good, but the exorcism judges have never gelled with me and the story really did get farcically hocus-pocus.
The Judge Dredd story is the saviour for this issue, I'm hooked on the growing conspiracy and happy for the return of Ronald. The Future Shock promised some intrigue but its ending is truncated and feels unfulfilling. Herne & Shuck is losing me, give me Finn any day, and Azimuth can only be described as meandering.
What a convoluted scenario; this lot are fighting this lot, but that lot is led by this person who is enemies with these people. Topping it off there are 2 sets of protagonists in different locations with different missions. It's all too much. The conclusion is coming though, hopefully that tidies it up but it still won't erase the feeling of bleh I get from this story. Is this the end of this run of Star Wars comics? A lot of other Star Wars series have finished recently.
After building the lore and magic of Narnia C. S. Lewis brings it all to the bitter end. Although this series is associated with youth readers it has always had plenty for the older readers, and none more than this book. I've always liked the darker stories (Harry Potter just got better and better) and this one has it in spades. It's a beautiful allegory of the end of days and it illicits a grand feeling of completion (if you're read all of the books in the series) I hope beyond hopes that the rebooting movie series plays it to the end and adapts The Last Battle for the big screen.
Dame Fiona Kidman's Read NZ Te Pou Muramura Pānui. What a wonderful highlight reel of her connection to reading. Part history book, part advertisement for the reading programmes that exist, all entertainment.
Rick and his team are suspicious of the group they've just rescued. Is it paranoia? - I suspect so. Neegan is showing some remorse, seemingly creating a redemption arc, something inconceivable before the time jump. Not every episode can be action packed and introduce new characters, as this episode shows.
The finale of the series is dialogue heavy, but in a pretentious way. It feels like a rushed ending, trying hard to wrap it all up in a bow but strecthing credibility to the limit. The cover seems like a money-grab: Kylo Ren v. Darth Vader, but you open it up and it's basically a dream sequence. A fizzer of an ending for this series.
Judge Dredd is building, the Mechanismo units are performing admirably but there's some hidden danger lurking. Herne & Shuck is weirding along. Judge Death is providing glimpses of how he came to be - the smile, the idea that people are the problem and even name-drops a beloved name from The Fall of Deadworld. Azimuth is taking a long time getting nowhere (is that the idea of a maze?!) This episode of The Discarded has some very 2-dimensional character moments. Overall all of the stories seem to be going nowhere fast.
An enjoyable read for the wordsmithery, but for once the story lacks a kick.
Is this the first worldwide catastrophe telling? Sci-Fi at its best marrying thoughtful consideration of then-known science with hypothesised projections. H G Wells has done such a good job at extrapolating I cannot help but consider him a visionary. It is no wonder his tales are suitable for adaption to the big or small screen over a century and a quarter later.
What fantastic Sci-Fi, and written in the 19th century to boot! Some consider this to be an early draft of War of the Worlds given the description of the Martian creatures, however I believe this is a direct prequel - part of the story. Furthermore, my first comparison was to the palantir from JRR Tolkien's Lord of the Rings world.
On Monday I took my mother and daughter to the remote town of Mōtū to show them where Mum's parents lived as children with their families, armed with research I had done writing our family history book. When picnicking at Mōtū Falls we had a chance encounter with a lady from Wairata. From my tramping trips following Te Kooti's footsteps I knew her family and even her house. Unbeknown to me was that her family had come from Mōtū and from Opotiki before that. Besides having a wealth of documents and some photographs of her family we discovered that our families had come from the same small valley systems in the Opotiki district, and that we both owned copies of this book by Lorna Aikman. This triggered me to read the book from cover to cover instead of only sections that were about my whanau. Reading the histories of all of the people who lived in the Te Waiti, Pakihi, and Tutaetoko valleys I appreciated that there were so many interesting stories for so many different people. Just as I am so deeply thankful that Lorna included some information about my whanau that I didn't previously know, I realised that all of these stories are so meaningful to so many people. Even for the ones who had no offspring, or whose descendants care not for their whakapapa there is a life to their stories. What an honour to be able to be part of this rememberance, and thank you Lorna for compiling this book.
A frozen prequel story that elicits interest because of its origin, but spins in some intrigue with a little surprise to create a bit of magic for young readers.
The only reason I know about this book is from Stranger Things season 5. The multiple references to this book surprised me as I am the same age of the kids in the TV show, and this book was a seminal work for them - why didn't I know about it? My first thoughts was that, just like popular music, what is popular in the USA is not necessarily popular elsewhere. Going in I knew this book was for a younger audience, so the linear storyline, predictable plot progression, and bland characterisations were all understandable. A Wrinkle in Time does not compare favourably with The Halfmen of O trilogy in this respect, but does trump Maurice Gee's works on pseudo-science - a term I'd rather use than Sci-Fi as L'Engle's understanding of scientific principles as laid bare as rudimentary at best. Straight away I was jolted out of the fantasy when it was written that the two academically gifted parents had administered IQ tests on a pre-school son. Extra points for explaining higher dimensions using the squaring principles. As for the plot itself? Lots, and I mean LOTS, of parallels with season 5 of Stranger Things, it is obvious that the Duffer Brothers drew great inspiration from this book, NZ's own Nell Fisher did a fantastic job acting out the threads in common. Ultimately I ended up enjoying the Stranger Thing's adaptions of this book than the book itself - it's one of those rare times when the derivative work supplants the original. I have a controversial take on screen adaptions. It is my advice to watch a TV or movie adaption before reading the source material. Invariably a lot of the source material is omitted and adapted - if you don't know what's been changed you can't be annoyed about it! When you read the source material and find out so much more you get elated to a higher degree than the on-screenb adaption. Stranger Things is not an adaption of this book, but my hypothesis holds true - if I had read this book first I would've anticipated some of the TV show which would have lowered my enjoyment. I'm glad I read this book after the Stranger Things finale. Unfortunately, by doing that, the bar was set too high for the book, my rating reflecting that.
The 2nd D&D crossover is even more integrated into the TV series plot - there was a whole season on Hellfire. This story is an unashamed advertisment for D&D, but plays on the emotion of playing, comraderie, and rejecting negative influences - great positive stuff. The story-telling format is interesting as well, sharing time between the original Hellfire of the late 1970's and the 1983 version featuring the TV series protagonists. The star of this series is Eddie,just as he was the star of the 4th season of Stranger Things - stick with a winning formula, and Eddie Munson definitely works.
I hadn't considered it before seeing this comic series - do TV series have to pay any sort of licensing fee to name drop a game? To be honest, name dropping is not what Stranger Things did for D&D, D&D is intertwined with the whole premise of Stranger Things. The next question is wondering which os the two franchises; Stranger Things and D&D, came up with the plan to have a collaboration comic series? This is no ordinary crossover. The two go hand-in-hand, as does the integration of D&D into this story. The dryness of the storyline is what gets a 3.5 (if I could rate that) The way this story fills some blanks and explores the inner feelings of members of the Stranger Things gang is a real positive - it's a meaningful 'crossover' - hallelujah.
The artwork detracts from a mediocre story about bit-characters which I'm just not invested in. Adds a bit more background to events from the TV series.
Didn't like this character in the TV show, this backstory and the revelations don't do anything to change my initia assessment. Just to clarify, having the Russian heavy is needed for the plot, it's just I don't like what a **ck he is.
This story is set post season 1, when Will was developing as an agent of The Mindflayer, but doesn't touch on that facet. What it does do is delve into the emotional impact of being in both worlds. Loved the surprise reveal at the end.
For a story that predates important character learning (in the TV series), this story gets it all right. Mr. Clarke, the ladies man, stars in all of his quirkines.
A collection of world-building stories from someone other than Greg Pak. Jody Houser has done a fantastic job of adding value to the franchise.
Each franchise build its own world and gets its unique feeling. Stranger Things looks to have done this with major input from Greg Pak. Crossovers rarely work. 2 different feelings, one writer who is often more familiar with one franchise than the other. What doesn't help this effort is necessitating changing location which subsequently leads to breaking Stranger Things canon (admittedly canon that was established in 2025, some 2 years after this effort). This took me out of the Stranger Things word.
Danny Lore was lead for 'Erica the Great', which explains why this story was of less interest to me. Greg Pak continues his glorious work in fleshing out the Stranger Things world, this time focussing on Will's trauma, and the even more interesting psychological effects on the builies from Season 1. I'm sure rewatching the TV series will be better after reading these stories.
The big Judge Dredd story is starting. A change of Chief Judge, reinstatement of Mechanismo units - it's already got an epic feel to it, my bet is the Maitland arc is going to roll into it too. The Judge Mortis backstory one-off is excellent. Azimuth goes nowhere, and Herne & Shuck (not my favourite story) do New Zealand dirty.
Made for a younger audience, the story is predictable. That's not to say it isn't enjoyable, just that there is no real depth to this arc - no meaningful additions to canon.
Ending with a bit of a whimper, this story gets the pieces back to where they need to be for the sequel trilogy as we knew it would have to. The high point is the insight into Han's regrets which makes his story arc in The Force Awakens even more tragic.
More stories to flesh out the Stranger Worlds world(s), giving more depth to the characters we already know and back-story to events and characters.
After watching the Stranger Things finale on Netflix I finally let myself read some of the comics. The hope was that there would be little bits of extra information. I didn't realise that all comic content is complementary to the TV show - it's all new content! Greg Pak works his magic again with content that is extra to what had already been released, yet doesn't bust any continuity of the later seasons of the show - I wonder if the Duffer brothers wrote the show around the graphic novel content? Wow, just wow, all new content - I love it.
Hmmm, there's a lot to like in these stories but the negatives are starting to worry me. The title gives a little away - Pony School Showdown, it's about a conflict. That in itself is not a bad thing, but Ella's attitude is not ideal, perpetuating a rivalry when she seems to be the antagonist. Although those made-up words might be realistic, I am having to explain which words are real or not - I'd rather not have to do that.
How did it end? The Blight - what Blight? The Nameless? - it was already done. The Battle of Eriadu? - it....ended. No surprises, no great learnings, really just a feeling of nothingness. One feeling I have is gladness - I don't have to worry about this story ever again.
Some action at last. Concentrating on the battle of Eriadu there is a modicon of intensity in that we have seen a 'good guys' lose before in this arc - alas, there is no great conclusion...yet.
Finally, a side quest which only tentatively ties back to the Nihil story line - and it's written by someone different. Like all High Republic story arcs it portrays the Jedi as childishly flawed, which is a bugbear of mine - secretly watching a nd then acting on a Sith holycron, what a juvenile thing for members of such an enlightened and benevolent group to do.
The continuation of the Nihil arc with the narrative explained through a series of short(ish) stories, each drawn by different artists. My interest in this arc is waning with a lack of interest in the main characters and a story arc that quickly goes nowhere.
It's a strange way to tie 11 different stories together; a stuffed toy. Perhaps it was something to do with target audience as the writing is not to the level found in the main Star Wars stories. The writing is weak, with many out-of-character moments, and there's another problem: the art. With less words than novel it is important that each panel conveys a lot of information. This is harder to achieve when the artwork looks rushed and at a lower-than-ptofessional level.
Reading this feels like doind a jigsaw puzzle where the pieces don't fit together, and when they do the pictures don't line up. Where's the connection between the Nihil and the Blight? Dealing with The Nameless in this volume is completely at odds with that of Premonition. It's difficult to stay engaged when these disparities exist.
It's hard for me to read Manga, I always associate the artwork with nonsensical storylines. You might think me fears were unfounded when the writer is from the USA however I have experience with this writer and IDW comics and know that his stories can be difficult to follow. Certainly Daniel Jose Older puts his stamp on this work, but the storyline isn't as whacky as it might be and I could (mostly) follow it. Nonetheless I can see why this series is difficult to obtain, it wouldn't appeal to the casual Star Wars fan.
Dark Horse has found a way back into the franchised Star Wars graphic novel providers list by taking a yung reader niche. Here they are pushing the envelope by creating work based on one of the animated series - The Bad Batch. The writer whole-heartedlt captures the zietgeist of The Bad Batch including the lean into serious Star Wars, where the stories are intertwined and even pivotal to the plot of established canon. Had no idea this was on the drawing board - what a great New Year's surprise.
It's a strange thing to do, start a series with a weak entry (maybe it wasn't intentional) but there's nothing unusual about ending on a bang. Alyssa Wong is drafted in and she lifts the quality immediately. This isn't just a name-dropping nostalgia call-back, it questions the morals of bounty-hunting and hints at the conflict within for Boba Fett. A much improved entry in the series.
Methinks the impressive black, white & red concept (all art is in black & red) is used to oversell underwhelming stories. Nothing particularly grabbed me in this one.
The message in this one is to not be like Ella. Sure, I can tell my girl to not behave like Ella, but she didn't get that by herself - showing that this could be a risky one to give to a child.
A straight-forward message for children from a broken home.
What a surprising book. Is it for kids? yes, but it's something more. It made me think about stopping to smell the roses, making pivotal life choices, and re-evaluating first perceptions.
Okay, it is a classic-format kids book aimed at my girl's age bracket, with rhyming lines that keep a constant metre. You'd think that would mean a good score, but not this time. It's my opinion that this book is below MY 6-year-old's comprehension level. At best it is boring, at worst patronising, I'll be aiming much higher when it comes to selecting library books from now.
A moral tale of the invention of shoes which opens the conversation to the stories of King Sheram and the Four Pests Campaign - great entertaining and educational diversions which get young minds thinking.
It seems obvious that the best Star Wars stories, those which have the most complete intertwining of the arcs between the trilogies and other canon, are saved for the titular anthology. Even though Star Wars fandom is divergently opinionated I feel everyone will enjoy the thought and effort the gets invested in this series.
If I hadn't been recommended this book I wouldn't have read it - 'How precision engineers created the modern world' is not exactly attention grabbing. With my history in compliance the material is interesting, and the author has done a stirling job at building a world around the technological advances: a bit about this person, a bit about this disaster, a bit about what was happening at the time. The real attraction is the way that the author writes. Much akin to H. G. Wells, the book is written with vernacular you don't see nowadays. It's refreshing that I had to stop and consider the words and their meanings (and context). Great evening reader when I was out of town.
Another book guiding my daughter's moral compass. I only wish they didn't use made up words - yes, I know it's written from the perspective of a girl writing in her diary which means it has her spelling ability, however made up words are difficult to explain to a 6-year-old.
I'm liking this series of books. My 6-year old and I take turn reading passages so she can try by herself, then hear any corrections I make when I read it. What really impresses me is the moral side of these stories - they aren't absolutely cookie-cutter morals, the protagonists aren't always right. It leaves the reader to discern what would be the best course of action - it's real world decision making.
The Christmas Judge Dredd story nibbles at Judge Dredd's growing humanity. In Judge Anderson, it appears Cassie is fighting an old adversary. Dreadnoughts is filling out all of the dynamics of chnging the legal system to Judges. Megatropolis is being awesome with it's alternative universe Judge Dredd intrigue. Armitage is being too British for me - their judges are more like the current British police. Overall it's a good read making me look forward to the resumptio in stories after the Christmas break (except Rok the God of course)
A quaint Judge Dredd story featuring call-backs to The Adventures of Tintin, Asterix the Gaul, and Paddington Bear. A huge one-off for Azimuth, the masterful melding together of Sinister & Dexter and Judge Anderson, with a fantastic bit of reverance to Arthur Ranson. World building of the highest quality a la Boyhood of a Superfiend for Judge Death. An interlude episode for Strontium Dog featuring that relationship dynamic with Sidney (RIP). A strangly satisfying conclusion to Rogue Trooper's Ghost Patrol, managing to dig itself out a hole. A great extra-length introduction to The Discarded - please don't be a 2-episode flash-in-the-pan. Although there were 2 stories of no signifiocance, these others keep my score lofty.
A satisfying conclusion shedding light on the master/padawan relationships of Count Dooku/Qui Gon/Obi Wan and building on the enlighteneing back story started in Tales of the Jedi.
Did The Walking Dead start the new season time jump trope? They certainly executed it well, using it to properly introduce some new characters, allowing the spotlight to linger so there's character buy-in. Leaves you wanting to know more about the new world. The Small Bites mini is a great way to give a different perspective on the same story - I wonder how many skipped it thinking it was a children's version? - their mistake.
Doctor Aphra is no Mary Sue. An instant hit amongst fandom, considerable effort has gone into building a backstory and fleshing out a brilliantly designed character. This omnibus is big on building her universe.
When Marvel rebooted the Star Wars series they wisely brought back Doctor Aphra, who is the star of this compilation - bring her to the small screen!
Highbrow mystism in Star Wars form. A weak short story adding unnecessary new lore to canon and featurig the weakest of the sequal series' new characters. At least it is finished now.
The finale is mildly entertaining, but obviously written for a younger audience, at least that's my take of the 2-dimensional character writing and inexplicable character decisions which serve no purpose but to advance the plot.
'Judge Dredd' finishes it's story with anticipation of a major catastrophy arc. A benign 'Future Shock'. 'Deadtown' ends! What a fantastic premise, and scope to expand, why oh why only do 2 parts? 'Rogue Trooper's arc takes another unpredictable turn. The 'Ghost Ship' arc must be about to end as I've seen the compilation advertised for sale.
This is how you connect the sequel series to canon. There are call backs, but only fleeting, and that's missing the point - those memories are heightening the emotional stakes. Solid writing by an author who understands the characters.
The earlier work with Marlon Shakespeare was super-inspired, hell, I had a Garage Project beer with Chopper on the can art! Talk about falling off a cliff, John Wagner, creator of Chopper, has admitted he should have died at Supersurf 11. This compilation is of storylines in Oz and is penned & drawn by Ewing & McCarthy, best suited for the psychedelic wierdness they've produced before. Taking songlines further than the wierdest dreamtime you could ever imagine. A contender for 0 stars.
Got this one from the library for me to read to my 6-year-old , but she read it through by herself over 4 days. I have read it to her over the last few nights, helping her with some of the words she found trickier. Written for 7+ year-olds I found it entertaining, more appropriate for the age group than Adrian Mole.
Wow. he Hershey/Fransisco/Sinfeld story finally winds up, and how. Magnificent writing from JD creator, John Wagner, he even found a way to weave PJ Maybe into the web. Fantastic.
It's brilliant how the political drama is interweaved with action arcs. John Wagner proves why he is king at writing Judge Dredd's long-term storylines.
Only 'Satan' stands out of the stories in this compilation. Gripping as the premise may be, the story falls short due to its lame ending - too much dialogue, and then an ending which is explained away in a sentence a la "somehow, the emperor returned".
In the world of Judge Dredd there is no bigger villain than Judge Death. This compilation starts with the fantastic 'Boyhood of a Superfiend' which draws huge parallels with the anti-hero Judge Dredd, but also illicits some sort of empathy for a cold-blooded killer. The introduction of Mrs. Gunderson is almost a show-stealer! It's no small surprise she stars again in subsequent short-stories.
The injection of Orlok can't imprrove the overly existential 'Childhood's End', and the bi reveal epilogue is pretty lame. Alan Grant proves why John Wagner is the best writer in the Judge Dredd universe. What picks this compilation up are the Judge Death-related short stories.
Initial volumes about Devlin Waugh, the whacky, camp vampire detective of the supernatural, are all about fun fighting evil creatures. They were mildly entertaining. This collection of stories devolves into absolute wierdness, I found my attention wandering and no great amount of satisfaction. If there's another anthology volume I'm not sure I'll read it.
Plenty of great sci-fi bounty hunter short stories here, but where this volume shines is 'The Moses Incident' which shows us the heart behind the clinical hunter. Emotionally draining from the horrific empathy, Strontium Dog is moving up levels.
While the short stories are of high quality, the real star is the fantastic 'Portrait of a Mutant'. If Strontium Dog was being made into a TV series then Potrait of a Mutant would be the opening mini-series. Initially I thought the text stories were cheesy, but upgraded my opinion when I realised they are draft stories never developed (and improved) so accepted the flaws.
It may come across as two-faced of me to downplay Thistlebone but then rate this fantasy storyline - Slaine, so much higher. Slaine pulls off a sweet mix of comedy, violence, and moral ambivalence. Ukko, who can forget about Ukko!
One of the most significant deviations from the TV series occurs in this episode (rather, where the TV series deviates from the original material) Although the TV version is great, surpassing this content in terms of surprise, the original has a far more satisfying reveal of Dwight's change in heart. The Letters section is awesome, revealingt how fans of the originals reacted, and the Cutting Floor section has soom surprising reveals about what could have been.
Following 'The Trial of Thoth', which conicides with the last artwork of Bryan Talbot on Nemesis, the story tapers off into snippets of inconsistent work. Still, 'The Vengeance of Thoth' is top quality Nemesis. A great place for the casual reader to sign off.
The pinacle of Nemesis is reached in 'The Gothic Empire', when the ABC Warriors become canon, Purity Brown comes into her own, and even Candida becomes a respected character. 1983 and an overtly Steampunk story, 4 years before the word 'Steampunk' is recorded anywhere - did it all come from Nemesis?
It is fascinating to watch the evolution of the story from 'Terror Tube' - a one-off sci-fi story that introduced the Termight Empire, to a full-blown story arc of Nemesis the Warlock. Let's be honest though, the antogonist, Torquemada, steals the show even if he embodies all of the worst of the crusades and Spanish inquisition.
Another retelling of the same curse, with the outcome well predictable. The premise of a movie being filmed at the tree makes a difference, but when it's the same situation atthe same place for the third time....
A fantasy story which would make a fine TV series, but for who? The Celtic horror theme would have limited appeal, and the convoluted underlying plot would be a detterent. Excellent art, which helps the reading - though I feel I'm only reading it for completion's sake.
Losing it's way, Rogue Trooper moves offworld and introduces settings which are quickly assigned to non-canon realms. Peter Milligan and Pat Mills assert their styles and take away from the character that we've grown to love.
Although the book is officially a biography, it should be an autobiography as the bulk of the book is direct quotes and slightly changed transcriptions of interviews. Through reading this book I gained a valuable perspective of some of NZ Cricket's most polarising incidents, and affirmed many of the assumptions and opinions I, as an outsider, had formed.
Adding Venus Bluegenes to the character list was a real positive, but the divergence of storylines from the hunt for the traitor general takes a bit away from the feel of Rogue Trooper.
What better way to prepare for the upcoming theatrical debut for one of 2000ad's most beloved characters than rereading the stories that started it all. Gerry Finley-Day's magic mix of getting the reader instantly hooked while world building at the same time is potent. Alan Moore's efforts (RIP) fit seamlessly. Genetically engineered super-soldiers in a hell-ish environment, what a premise in the early '80's.
The continuation of a story arc trying to generate buy-in to the sequel trilogy. Fan service may be a legitimate pathway (at times) to success, but this episode manages to snuff out one of the tethers the arc had to the Darth Vader Marvel II storyline.
Greg the Sausage Roll goes on a fanciful adventure. Read as a bedtime story, the book illicited too much excitement which wasn't the best thing for settling a 6 year old.
The Judge Dredd arc is tying in multiple recent storylines, shaping to be an epic. New story 'Deadtown' immediately hooks with an interesting take on zombies that draws parallels with bigotry. The Rogue Trooper story has lost some direction. Brass Sun's finale leaves me wanting more - an understated cliff-hanger.